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Title : The SpongeBob Movie: Sponge Out of Water
The SpongeBob Movie: Sponge Out of Water genre : Adventure, Comedy, Family, Fantasy, Animation
The SpongeBob Movie: Sponge Out of Water crew : David Ian Salter, Mark Goldblatt, John Debney, Phil Meheux, Cale Boyter, Richard Vane, Glenn Berger, Jonathan Aibel, Chuck Potter, Kevin Kaska
The SpongeBob Movie: Sponge Out of Water release date : 3 December 19 8 9
The SpongeBob Movie: Sponge Out of Water runtime : 93 Minutes
The SpongeBob Movie: Sponge Out of Water Crew : David Ian Salter, Mark Goldblatt, John Debney, Phil Meheux, Cale Boyter, Richard Vane, Glenn Berger, Jonathan Aibel, Chuck Potter, Kevin Kaska
The SpongeBob Movie: Sponge Out of Water movie cast :
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Title : The Witch
The Witch genre : Horror, Drama, Mystery, History
The Witch crew : Mark Gingras, Mark Korven, Chris Columbus, Eleanor Columbus, Brian Campbell, Brian Campbell, Eric Bryson, Wayne Griffin, Lars Knudsen, Jay Van Hoy
The Witch release date : 7 October 19 7 3
The Witch runtime : 92 Minutes
The Witch Crew : Mark Gingras, Mark Korven, Chris Columbus, Eleanor Columbus, Brian Campbell, Brian Campbell, Eric Bryson, Wayne Griffin, Lars Knudsen, Jay Van Hoy
The Witch movie cast :
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In 1630s New England, William and Katherine lead a devout Christian life with five children, homesteading on the edge of an impassable wilderness, exiled from their settlement when William defies the local church. When their newborn son vanishes and crops mysteriously fail, the family turns on one another. The Witch 2015 review : > While an evil force slowly possessing them, the family bond is put on a test.

The film was based on the collection of a series of the real events that takes place in the 17th century New England. The story of a farmer family who came across the ocean, but now lives on the edge of the forest after denied permission to build a house in a village. When the newborn baby disappears in a thin air, the family begins to experience the mysterious events. Without a clue about the happenings, the evil force begins to possess them while the unity of the family is tested.

Wow, finally a wonderful horror-psychological-thriller. Usually horror films are the worst kind compared with other genres, because most of them overly rely on the sudden sound/noise and gore. But there are many awesome horror films I had liked which were better story than the graphical presentation, like this one. So I love good narration than those try to scare me with make-ups, stunts and sound mixings.

It was a limited cast film, sets in a beautiful remote place and the language was awesome that perfectly suits for the horror theme like this. Everyone's performance was brilliant. It is just a one million dollar film and the entire film was shot within a month. The records are not matter when the writing and the direction were top notch. Especially for a first timer it was a remarkable achievement.

A simple plot, developed greatly and the suspense was the highlight. Yet viewers expect more explanation, but I'm happy for what it is and it should not go deeper than that which might spoil its unique flavour. Not just horror film fans, everyone should try it if they're capable to handle the slow narration. Finally, like usual, here I won't ask for a sequel, because it'll make an amazing one off film than the dozens of crappy follow ups.

8/10
This was a really good horror film. The direction was very interesting and Robert Egger plays with darkness and shadows in a really horrifying way. The tension is unbearable at times.

The dialogue is a bit hard to follow as it is very "oldé English" to add to the historical accuracy of the piece. The actors are all good at reciting this strange dialect and demonstrating the paranoia spreading through the family thanks to religion and superstition.The film is based on accounts and texts found from the era and so everything seen on screen has been taken from sources and barely been touched. Every part of the film seems authentic.

It is refreshing to see a film that doesn't really on jump-scares and annoying "cattle-prod" techniques to make audiences scared. 'The Witch' is genuinely disturbing without resorting to these techniques. It is very strange and gory when it needs to be. I also found these strange scenes quite fascinating and educational as the film almost seems like a historical document.

★★★★
Talk about old school!

“The Witch” is a painstaking recreation of Puritan life in New England. The lifestyle is mimicked. The clothes are period-accurate. The dialogue is actually based off of documents and speeches from that time. It’s as if Mel Gibson decided to update “The Passion of the Christ” by 1600 years.

As mentioned, the movie is set in Puritan New England as a family is banished from the larger community and has to make their own way out in the wilderness. As they build their home, strange things begin to happen, starting with the abduction of the infant Samuel. Things continue to get worse and worse, until… okay, no spoilers. See the movie.

This is a dark and effective movie. I can’t remember the last time I actually had a start from the all too often used jump scares, but the movie is absorbing enough that it did manage to “get” me a couple times. Robert Eggers seems to have kicked off a new wave in old-school, deep supernatural and existential horror. I won’t lie that I drew some comparisons between this and Ari Aster’s “Hereditary,” if nothing else than by simply the way the movie felt and left me feeling at the end.

That being said, the film isn’t perfect. In fact, oddly enough, it’s perfection is what gives it imperfection. The period is so painstakingly recreated, in particular the dialogue, that sometimes hearing it can be jarring, making me stop for just a second to think about what was just said, which unfortunately interrupts the flow and managed to pull me out of the film. It’s kind of a strange complaint that something could be so accurate that it fails to suspend disbelief, but here we are.

“The Witch” is quite an achievement and I’m glad that this film, which would otherwise be relegated to underground status, has managed to achieve a following, enough so that Robert Eggers got to do a follow-up with the Lovecraftian-looking “The Lighthouse.” Definitely worth checking out.

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The Last Witch Hunter the movie 2015 showtimes online hd The Last Witch Hunter song, Watch The Last Witch Hunter full movie online now.The modern world holds many secrets, but by far the most astounding is that witches still live among us; vicious supernatural creatures intent on unleashing the Black Death upon the world and putting an end to the human race once and for all. Armies of witch hunters have battled this unnatural enemy for centuries, including Kaulder, a valiant warrior who many years ago slayed the all-powerful Witch Queen, decimating her followers in the process. In the moments right before her death, the Queen cursed Kaulder with immortality, forever separating him from his beloved wife and daughter. Today, Kaulder is the last living hunter who has spent his immortal life tracking down rogue witches, all the while yearning for his long-lost family.,what are The Last Witch Hunter movies in order The Last Witch Hunter synopsis full movie The Last Witch Hunter 2015 HD Movies, Full Length Movie
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Title : The Last Witch Hunter
The Last Witch Hunter genre : Fantasy, Action, Adventure, Science Fiction
The Last Witch Hunter crew : Chris Lebenzon, John Papsidera, Dean Semler, Patrick Loungway, Vin Diesel, Steve Jablonsky, Paul Carlin, Mark Canton, Breck Eisner, Luca Mosca
The Last Witch Hunter release date : 26 July 19 3 9
The Last Witch Hunter runtime : 106 Minutes
The Last Witch Hunter Crew : Chris Lebenzon, John Papsidera, Dean Semler, Patrick Loungway, Vin Diesel, Steve Jablonsky, Paul Carlin, Mark Canton, Breck Eisner, Luca Mosca
The Last Witch Hunter cast :
Vin Diesel, Rose Leslie, Elijah Wood, Ólafur Darri Ólafsson, Rena Owen, Julie Engelbrecht, Michael Caine, Joseph Gilgun, Isaach De Bankolé, Sloane Coombs
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The modern world holds many secrets, but by far the most astounding is that witches still live among us; vicious supernatural creatures intent on unleashing the Black Death upon the world and putting an end to the human race once and for all. Armies of witch hunters have battled this unnatural enemy for centuries, including Kaulder, a valiant warrior who many years ago slayed the all-powerful Witch Queen, decimating her followers in the process. In the moments right before her death, the Queen cursed Kaulder with immortality, forever separating him from his beloved wife and daughter. Today, Kaulder is the last living hunter who has spent his immortal life tracking down rogue witches, all the while yearning for his long-lost family. The Last Witch Hunter 2015 review : There was a time when the movie gods were treating audiences to the omnipresence of zombies. One could not swing a dead cat without running into zombie-related cinema. It was all the rage at the box office that was experiencing a certain celluloid renaissance with overloading narratives within the “zombie zone”. Sure, zombies are still the norm in pop cultural media on both the big and small screen (anybody not heard of “The Walking Dead”?). However, another iconic horror-induced symbol–the witch–is making its way back into prominence in the cinema circles. Unfortunately, the “twitch of the witch” is explored in an over-the-top, messy and misplaced CGI-coated production of the outlandish The Last Witch Hunter.

So there are a number of reasons why the whimsical wasteland The Last Witch Hunter might be considered high-tech jumbled junk. Nevertheless, the consensus is that sometimes high-tech jumbled junk is one enthusiast’s treasured and enjoyable guilty pleasure worth its mindlessness in gold. Well, The Last Witch Hunter certainly will attract its share of followers as a gaudy and grainy fantasy adventure both big in scope and surreal absurdity. Still, this mythical monstrosity feels annoyingly strained and tries too hard to sell its outrageous, synthetic spryness.

The Last Witch Hunter is about larger-than-life throwaway silly thrills and cherishes its berserk-style entertainment with unapologetic relish. There is nothing inherently wrong with upping the ante in boisterous bounciness but Hunter is unfocused and all over the map while never committing fully to being a distinctive, impish-minded vehicle. Instead, Hunter is incoherent and erratically ridiculous as it shamefully incorporates bits and pieces from other better-made schlocky showcases.

The casting of the monotone and muscle-toned Vin Diesel seems inspired and logical for something as clumsily radical as The Last Witch Hunter. Diesel, the movie action star that made his notable mark in money-making film franchises that include The Fast and the Furious and Riddick entries, sinks his teeth into another so-called explosive characterization in Hunter’s 800-year old immortal witch hunter Kaulder. Of course Kaulder is a tortured soul and has made it his mission in hunting down naughty witches throughout his eternal existence. Kaulder needs to eradicate these magical misfits in his bid to deal with the tragic curse that has dominated his tattered psyche.

Kaulder may have an affinity for seeking and wreaking havoc on the notorious witches that threaten to corrupt the surroundings but he is partial to one witch in particular–the youngish Chloe (Rose Leslie from “Game of Thrones”) whose assistance is invaluable to the brooding Kaulder. Also, Kaulder is joined by diminutive cleric sidekick Dolan 37 (Elijah Wood) as well in the quest to hunt down these wily witches.

The mysterious vibes pertaining to Kaulder is somewhat realized. For instance, we know that Kaulder works steadily for the organization known as Axe and Cross. Plus, we are introduced to Kaulder’s only close buddy Dolan 36 (Oscar-winning Michael Caine) and are given a vague backstory about Kaulder’s troubled past and histrionics. The no-nonsense Kaulder’s passion for witch hunting is the only straight-forward sign that we definitely have no doubt about one way or the other.

"Witch" way to go? Who knows but only one witch hunter can answer that in Vin Diesel's Kaulder from the flaccid fantasy THE LAST WITCH HUNTER
“Witch” way to go? Who knows but only one witch hunter can answer that in Vin Diesel’s Kaulder from the flaccid fantasy THE LAST WITCH HUNTER
In addition to highlighting Kaulder and company’s expectations to wipe away the “broomstick broads”, the plot starts to thicken as concerns are brewing involving the resurrection of the menacing creature in the Witch Queen (Julie Englebrecht). Naturally, the Witch Queen presents an immediate danger to the cautious Kaulder because of their nostalgic convoluted conflicts previously. Can the crazy-minded coven that looks to promote the Witch Queen succeed and overcome the slaying methods of Kaulder and his crew of crusaders?

Notoriously clichéd and cockeyed, The Last Witch Hunter is a corrosive concept meshed together with all the creative comparison of a tangled ball of yarn. Similarly, director Breck Eisner’s toothless witch fantasy adventure Hunter echoes the same kind of forgettable computer-generated gibberish that was evident in this year’s bombastic medieval miscue The Seventh Son featuring the Academy Award-winning Jeff Bridges front and center in another numbing sword-swinging, supernatural sideshow of sorts. The overall film project, plagued with Eisner’s scattershot direction and a tepid script by a trio of screenwriters in Cory Goodman, Burk Sharpless and Matt Sazama (responsible for the disastrous Priest and Dracula Untold), screams of a flavorless stew–many ingredients are mixed in but a natural taste for the concoction never comes into fruition. Relentlessly murky and misguided, The Last Witch Hunter fails to trigger anything remotely intriguing beyond the furious flourishes of shocking, cartoonish imagery.

The premise can be regarded as feeling woefully forced and choppy. The dank cinematography is indistinguishable and the visual special effects are an ambivalent hit-and-miss result depending on what frame of the movie’s indescribable spectacle that grabs your undivided attention at the moment. The storyline is hardly gripping or contemplative even from a campy standpoint. The Last Witch Hunter is frivolously flaccid and never manages to capture any of its dizzy-oriented imagination no matter how wildly off-kilter it tries to achieve in its aimless execution.

Diesel fans may buy his high-wire act in Hunter and go with the flow but the actor does not deviate away from the familiar characters he has revisited countless times over in his better known on-screen outings. For years Diesel has reveled in preposterous volt-making vehicles for the most part has captured the curiosity of his targeted demographics in both excitable fanboys and hormonal female followers alike. The question remains: can they show some solid consideration in having the balding bad boy of action-packed capers toil among the foolish inclusion of wayward witches and sorcerers in an exposition that looks as if it was conceived with a Middle Ages crayon? The supporting players in Hunter are as arbitrarily acknowledged as the saturated and over-indulgent whims of this far-fetched fable that seems uniquely colorless despite its chaotic grand package of black magic banality.

Somehow labeling Diesel’s Kaulder as the “last witch hunter” feels deceptive because if the Hollywood sequel machine has its way their version of “last” will undoubtedly be continuous into the next eye-rolling chapter. The real sinful hex at large that some unsuspecting moviegoers will ultimately suffer is succumbing to the laughable supernatural spell that The Last Witch Hunter will cast in insufferable, confusing fashion.

The Last Witch Hunter (2015)

Summit Entertainment

1 hr. 46 mins.

Starring: Vin Diesel, Elijah Wood, Rose Leslie, Michael Caine, Julie Engelbrecht, Olarfur Darri Olafsson, Rena Owen

Directed by: Breck Eisner

MPAA Rating: PG-13

Genre: Horror and Fantasy/Supernatural

Critic’s rating: * 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2015)
> Fighting the same witch twice in the 800 years!

I have seen Vin Diesel in many avatars, from the sci-fi to action, adventure and thriller, they all suits him better, but this supernatural theme seems weird. There was lots of action, so it does not feel like a fantasy film, which is merely the idea of film concept. From the director of 'Sahara', the story of an cursed with eternal life witch hunter named Kaulder. Except the opening, the remaining film sets in the present New York city where he has to stop a witch who is trying to bring back the witch queen from the dead.

It was just another those films where the ancient meets the modern world. Okay, I agree a few films did impacted from the last two decades since the evolution of the CGI. Even though, they were not considered the greatest, in the meantime, I don't know where did this one come from. It was not based on any book, but I think just to make a few quick bucks using the star power. Other than that this film offers nothing new.

Yes, I liked the Diesel's presence in this, but he should not do films like this, except if the screenplay and role developed to his caliber. It was not a big box office hit, but merely survived and critically didn't. Even the film fanatics and fans of the star disappointed with it. Now I can't believe the sequel is announced, but I hope it won't take off. Anyway, it could become a decent television series rather than a film franchise.

Diesel is the reason for this film to look okay and the story was maybe the hundredth time used. Come on we all know this story, but with a new cast and the settings, it looks different. So for me the film was an average, other than that, I don't think it is worth recommending to the others. If you still want to see it, then pick the digital 3D version where you can at least enjoy some special effects.

5/10
**The initial tableaux:**

**Initial, part I**: We're in the black plague era in Europe, say 13th century. The spread of the plague is attributed to the spellcasting of evil witches. Vin Diesel's character, Kaulder, is one of the witch hunters who finds the Witch Queen. Kaulder and company put an end to the plague, but at the cost of Kaulder's wife, his only child, and most of his hunter friends. While dying, the Witch Queen curses Kaulder.

**Initial, part II**: In current New York City, Kaulder is still hunting witches. Yes, the same Kaulder. He's allied with an old group within the church, the Axe and Cross, which tries and imprisons witches. They also keep secrets. Kaulder's main contact with Axe and Cross is Dolan the 36th, played by Michael Caine, in one of those short roles that he does so well. Dolan is quite old, and Dolan the 37th seems ready to take over being contact with the immortal Kaulder.

**Delineation of conflicts:**
In the present, witch activity seems to be picking up. Something large is brewing. Kaulder suffers a number of reverses, and his list of allies shrinks.

The film began in apocalyptic mode, and near the end it is almost there again. Kaulder must face what he did not face the first time, 800 years ago.

**Resolution:** Will Kaulder find new allies, or must he carry the day himself?

**One line summary:** Attempt at another Vin Diesel movie franchise.

**_Statistics:_**

**Cinematography:** 8/10 Well done on the whole; the visuals kept my attention.

**Sound:** 8/10 Dialog is clear. Music seemed appropriate.

**Acting:** 5/10 Michael Caine was fine in his short role as noted above. Vin Diesel is convincing as an action hero, even here with swords, magic, fists, and intention instead of cars, guns, and explosives. Julie Engelbrecht had her fine moments as Kaulder's arch nemesis, the Witch Queen, at the very beginning, and at the very end. Olafur Darri Olafsson was a blast as Belial, an in-your-face opponent for Kaulder.

Elijah Wood's performance sucked rocks. Rose Leslie (Game of Thrones, 17 episodes) was almost interesting as Kaulder's on-again, off-again witch ally. That was a bit weak, since she was supposed to be the female lead.

**Screenplay:** 5/10 Violence and threat moves the plot along, so the 106 minutes runtime does not drag too badly. I'm glad I saw the film, but would not watch it again. Why not? The narrative is not well-constructed. It seemed like every five minutes there was some change or rules, or some impressive (?) artifact to consider.

At the end of the film, I felt that I should have been happier for the protagonist, but just could not be. Would there be major challenges for him in the centuries to come? Would Chloe be a reliable ally? By this time I did not care, and I felt this to be a major failing of the film.

**_Final Rating:_** 6/10 I liked it better than most people did, but I would be hard pressed to say, 'you must see this one.'
Arguably the coolest poster a movie's ever had.

Vin & Co. lay the cheese on **thick** in this one. I'm talking slab of fried haloumi thick. But that's not exactly the end of the world. It's kind of like if _Constantine_ was way worse, or if _Seventh Son_ was way better. With a little 2004's _Van Helsing_ thrown in for good measure.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
You cling to your pathetic life, those closest to you betray you and those you claim to protect don't even know your name.

Hmm, okies. It feels like the studio execs sat around the big table and thought here's Vin Diesel lets build a boisterous popcorn franchise setting piece around him.

Plot has Diesel as the title character who here in the modern world is all that stands between humanity and the combined forces of the deadliest witches in history. Cue lots of crash bang and wallop, digital blitzkrieg and Vin with a glint in his eye in spite of not having the emotional paths required for the role. In support are Elijah Wood, Michael Caine and Rose Leslie, all of whom arguably come under the miscast banner.

There's some smart ideas at the film's core, the nightmares and dreamscapes narrative smarts particularly hint at what might have been a potent asset to the pic. There's some nifty set-pieces on show as well, which just about stops this from being a boring picture - but it comes mightily close, and in HD form it looks and sounds terrific. Yet it's never a fully realised whole for dramatic impact, with the casting decisions only compounding this feeling.

In nutshell terms The Last Witch Hunter is a passable time waster that entertains if one is in an undemanding mood. 5/10
***Pedestrian horror sorta-superhero starring Vin Diesel***

An 800 year-old immortal Witch Hunter (Vin Diesel) now lives in swank New York City, still hunting malevolent witches with the help of two priests, an aged one (Michael Caine) and a novice (Elijah Wood). Rose Leslie plays a winsome witch with mettle while Ólafur Darri Ólafsson is on hand as a formidable evil warlock.

I thought I’d like "The Last Witch Hunter" (2015) since it mixes “End of Days” (1999) with “Van Helsing” (2004) and elements of “Ghost Rider” (2007) and “The Mummy” (1999) but, while Vin Diesel towers in the lead role, the story is meh. The overblown intro with its CGI-laden witch grotto sequence wasn’t a good first impression. By the halfway mark I wanted to turn it off, but I persevered.

Everything is here for a quality movie of this sort, but the story isn’t captivating and doesn’t build any drive. It just goes through the motions. The script needed a serious rewrite. But Vin Diesel is charismatic as the witch-hunting ‘James Bond’ and redhead Leslie has some appeal.

The film runs 1 hour, 46 minutes and was shot in Pittsburgh and Southern Cal.

GRADE: C/C- (4.5/10)

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Title : Insurgent
Insurgent genre : Action, Adventure, Science Fiction, Thriller
Insurgent crew : Harry Cohen, Douglas Wick, Mary Vernieu, Florian Ballhaus, Akiva Goldsman, Alec Hammond, Louise Mingenbach, Barry H. Waldman, Barry H. Waldman, Neil Burger
Insurgent release date : 22 July 19 8 1
Insurgent runtime : 119 Minutes
Insurgent Crew : Harry Cohen, Douglas Wick, Mary Vernieu, Florian Ballhaus, Akiva Goldsman, Alec Hammond, Louise Mingenbach, Barry H. Waldman, Barry H. Waldman, Neil Burger
Insurgent movie cast :
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Beatrice Prior must confront her inner demons and continue her fight against a powerful alliance which threatens to tear her society apart. Insurgent 2015 review : As I did in my review of the first instalment, in this movie series I should probably point out that I have not read the books. Some people claim that this movie do not follow the books but, obviously, I cannot comment on that. So my review is based on the movie and the movie alone. I have to confess that I mostly watched this movie because I did watch the first instalment and felt obliged to see where the story went.

This movie have quite a few fairly cool special effects, especially the ones when Tris is in the virtual reality world trying to open the cube with the message to the inhabitants in the closed up city. Unfortunately this pretty much sums up the good parts of the movie.

As with Divergent I found this movie to be fairly mediocre. One reviewer said that this was a movie dumbed down for the teenage audience. Unfortunately I feel that he was right. Also unfortunately I think many teenagers are a lot smarter than Hollywood believe they are.

The plot is, well, mediocre. The acting is fairly meh. The main character, Tris, really lacks any form of charisma and spends most of the movie going around in some state of melancholy feeling sorry for herself and everything that happens around her. Apart from Four most of the people were behaving immaturely, cluelessly, froze up or panicked whenever something nasty happened and switched allegiances back and forth like you changed shirts.

When Tris finally opened the cube I was expecting something cool and unexpected. What we got was a rather dull message about the city and its “purpose”. I complained in my review of divergent that we got absolutely no background information as to how the people had ended up in this ridiculous situation with a closed city and these factions that I still do not understand what they were supposed to solve. The message was supposed to explain this but it explained absolutely nothing except that the divergents were some kind of purpose or solution.

The ending? Well again this is a book series so it is not surprising that it ends in somewhat of a cliffhanger but it was really a cheap ending, one that you would expect from a TV series episode.

So I cannot say that I liked the movie very much. The virtual reality special effects scenes were fairly cool but that was about it.
Briefing; this movie is just bad.

The first was not good either but this one continues the path open by the first. The special effects are quite noticeably rendered by computers and the actors are uncharismatic, other than that, the plot is just bad.

Another movie with quasi-teenager lead roles in a dystopic future in which stupidity is spread all along man-kind.

We just witness the struggle of our heroine with her self-imposed guilt with stupid enemies that let her survive at every moment so she can become the messiah she is meant to be.

I think the only positive part I can get from this movie is the preeminence of strong and important female characters. Other than that, just skip it.
> The mystery box and the power hungry leaders!

This is not a bad sequel, I quite enjoyed it, but I think I liked 'Divergent' better. The story continued a very short after where it ended in the first. In this part, it was all about power hungry where many try to get that top post. On the other side, there will be an attempt to open a mystery box that found which might reveal some important detail about them.

Looked like a very good storyline, unpredictable stuffs, but not utilised to its full potential. Though the actors were good, especially Shailene was sexy in her short hairs. I think she came straight out of 'The Fault in Our Stars' to take up this role where her brother in this film was a boyfriend in that.

Visually as well very captivating with those great graphics and it is first digital 3D film in the series. It has numerous small twists, especially during decrypting the mystery box. So I felt the middle parts were the best part of the film.

I thought this film would take place outside the wall, but a new story was developed and still kept the mystery about the rest of the world. I don't know the book, but that's my disappointment. I hope the next film in the series would go beyond the wall and explore some new things. So I'm looking forward for the 'Allegiant'.

6/10

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Title : Spectre
Spectre genre : Action, Adventure, Thriller
Spectre crew : Thomas Newman, Sam Mendes, Anna Pinnock, John Logan, Dennis Gassner, Ian Fleming, Lee Smith, Bill Bernstein, Daniel Craig, Jany Temime
Spectre release date : 9 February 19 9 5
Spectre runtime : 148 Minutes
Spectre Crew : Thomas Newman, Sam Mendes, Anna Pinnock, John Logan, Dennis Gassner, Ian Fleming, Lee Smith, Bill Bernstein, Daniel Craig, Jany Temime
Spectre movie cast :
Daniel Craig, Christoph Waltz, Léa Seydoux, Ralph Fiennes, Naomie Harris, Ben Whishaw, Monica Bellucci, Dave Bautista, Andrew Scott, Rory Kinnear
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A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE. Spectre 2015 review :
Well, cinema’s most treasured and resilient British spy guy is back as the legendary James Bond makes his twenty-fourth outing on the big screen in the highly anticipated and slickly-made Spectre. Worldwide Agent 007 fans understandably maintain their embedded expectations and vision as to what calculating and cunning mission their suave and sophisticated gun-toting, martini-sipping espionage thrill-seeker will encounter in his latest globe-trotting episode. Whatever Bond enthusiasts have in mind for the future twenty-fifth entry of the “licensed to kill” Lothario they should simply settle for the present stimulating currents that trickle as mind-bending material in the polished and percolating Spectre.

As for the dynamic performer that have served his time with action-oriented cinematic sensibilities through three previous super-charged James Bond installments, the steely-jawed and diligent Daniel Craig is back on the saddle again for his fourth stint as the crafty 007. Naturally both ardent and casual Bond followers can rattle off the filmography of Craig’s on-screen tour of duty as the debonair and daring secret service operative and even rate the previous films as they compare and contrast each edition. Some may give special attention to Craig’s first foray into stepping inside Bond’s explosive shoes for 2006’s Casino Royale that is considered a spectacular introduction for the dramatically trained actor. In 2008’s Quantum of Solace, it was a mixed bag at best as Bond followers for the most part gave this second 007 rendition an ambivalent sign of approval (not too many were thrilled with the awkward movie title either). Thankfully, 2012’s Skyfall bounced back for Craig’s take on the roguish Bond and made for some exceptional brownie points as the cagey spy returning to creative prominence. Now 2015’s Spectre hopes to make some hearty tie-ins to Craig’s past big screen adventures as the stoic jet-setting dynamo ridding the world of masterful riff raff.

In actuality, Spectre is serviceable in that it is an elaborate and excitable reminder of the preceding Bond films where bits of nostalgic elements from yesteryear are sprinkled throughout its presentation. Sure, some wily 007 fanatics may spot a few of the tossed in nods to the aforementioned Casino Royale and Quantum of Solace in particular as the proceedings unfold. For the most part, Spectre acts as a mere bridge to the launching of the upcoming 25th Bond actioner in waiting. To be fair the other Bond films have served as a welcome mat to the next chapter of the late Ian Fleming’s engaging and charismatic man of action so why should not Spectre be any different in this regard? Still, this spy caper has its signature swagger that Bond aficionados relish with familiarity: heart-pumping action sequences, exquisite locales, desirable and devious Bond women, majestic car chases, larger-than-life villains and their loyal henchmen, imaginative gadgets and inventive technology and yes…the indomitable James Bond at your service. Nevertheless. the minor knock on Spectre is that it could have risen to the occasion more than it did as it occasionally feels as if it is going through the mischievous motions. It never resorts to the levels of Bond-ish drudgery in Quantum of Solace so that certainly is a relief in that aspect.

Spectre does incorporate its share of opulence, mystery, suspense, shadowy tension and perilous plight. However, where the standard Bond film-making characteristics are somewhat consistent and captivating (i.e. the breathtaking opening sequence of the Day of the Dead celebration in Mexico City) there is also a questionable consideration for the weak-kneed Bond theme song in Sam Smith’s “Writing’s on the Wall” which seems so inadequately suited for a James Bond signature tune. Even the indifferent observers of the James Bond film franchise for the last five decades can attest to the two most important stamps of a Bond film–its opening scene and surging theme song. Thankfully, Spectre’s grand opening sequence obeys traditional Bond practices but Smith’s doggedly tired-sounding “Writing’s on the Wall” feels as it belongs attached to an old televised After School special from the mid-70s. Wouldn’t you give your kingdom for Paul McCartney and Wings’ “Live and Let Die” or Carly Simon’s “Nobody Does It Better” or perhaps even Sheena Easton’s “For Your Eyes Only”?

One thing that can be said about Craig’s Bond in Spectre and that is his image transformation has been elevated to that of a fashion plate whose GQ stylized look has taken quite a step up. Not since Roger Moore’s Bond has there been a clear case of dazzling attire on display for Agent 007 to strut his stuff in spiffy clothing accessories throughout his ventured travels. Craig, billed as a “blue-collar” Bond whose demeanor is more blunt and workman-like, takes comfort in basking in the finesse shadows of a classic Agent 007 almost foreign to his distinctive spin on the iconic spy. In fact, the overall vibe for Spectre seems to lie in the middle of old school and new school James Bond mythology where the shading suits both camps of the ever-lasting film franchise.

Director Sam Mendes, who handled the direction for the previous Skyfall, finds the right tone and temple for Spectre that certainly shows off its lavish and ambitious production values as the set designs, scenic locations, fabulous pre-credits action sequence are all indescribable in majestic scope. No one can accuse Spectre as to not holding its own in visual functionality. Wisely, Mendes does not forget his Skyfall background players as they reunite with Craig’s Bond and partake in the sensationalized cat-and-mouse caper. It is refreshing to see Ralph Fiennes back as “M” not to mention Ben Wishaw’s “Q” front and center. And a Craig-fronted Bond film would not be the same without Naomie Harris as Miss Moneypenny.

Agent 007 fans will find a common "Bond" with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinettic SPECTRE
Agent 007 fans will find a common “Bond” with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinetic SPECTRE
It is a given that the diabolical criminal network known as SPECTRE has always had its affiliation with the Bond universe especially in the classic Sean Connery Bond-age years. Instinctively, SPECTRE’s evil heart and soul was pumped continuously by that organization’s dastardly mastermind Ernst Stavro Blofeld. Oscar winner Christoph Waltz does the sordid honors of taking the reins as Bond’s nemesis Franz Oberhauser in Spectre with devilish delight and is more colorfully corrupt thanks to his handy go-to muscular minion Mr. Hinx (ex-professional WWE wrestler and “Guardians of the Galaxy” star Dave Bautista) echoing the memories of beloved brute Jaws (played by the late Richard Kiel) from The Spy Who Loved Me and Moonraker).

We can never forget that along with Agent 007 folklore comes the responsibility of being labeled a treasured Bond babe. And although the latest sultry women represented in Spectre will never make us forget the iconic likes of Dr. No’s Ursula Andress (Honey Ryder) or Casino Royale’s Eva Green (Vesper Lynd) for that matter they still hold their own and give a measure of titillation to both Bond and the vast amount of male admirers wishing they carried a gun and wore expensive tuxedos while being at the receiving end of a provocative smooch by these vibrant vixens. Lea Seydoux’s Madelene Swann and Italian siren Monica Bellucci’s Lucia are on board as the Bond bombshells for hire.

As a whole, Spectre has its up and down moments and never is quite sure about standing alone as an independent Bond story or being dismissed as a pit stop for 007-related flashbacks and reference bits ode to yesteryear’s glory of the super spy’s engaging and raging exploits. The verdict is that Spectre ultimately satisfies one’s craving for the invincible James Bond whether you can to relive his vintage reputation or look forward to a millennium-enhanced production that will grow with the ageless wonderment pertaining to Fleming’s literary ladies man-turned movie-making mainstay of action-packed cinema for half a century. As one-time Bond songbird Carly Simon would attest in her soothing lyrics, “nobody does it better…” Yet in the dimensional escapist world of James Bond this particular go-around could have been a tad bit better.

Spectre (2015)

Sony Pictures

2 hrs 28 mins.

Starring: Daniel Craig, Christoph Waltz, Lea Seydoux, Naomie Harris, Ben Whishaw, Dave Bautista, Monica Bellucci, Andrew Scott

Directed by: Sam Mendes

MPAA Rating: PG-13

Genre: Spy-Espionage Caper/Action & Adventure/Suspense Thriller

Critic’s rating: ** 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2015)
A "correct" Bond movie. All the expected stereotypes are included, Waltz is an OK bad guy and the intro scene is something really impressive.

Nothing else really new ...
> Not your usual Bond movie, but still a good entertainer.

What I liked from a couple of last Bond movies was they were off the regular 007 style, like not overly rely on spy's special gadgets. This change has been since the day one of Daniel Craig as a famous British spy, James Bond. Anyway, he's the most fittest (muscular) Bond I've ever seen and he's celebrating 10 year anniversary with this film release. But the question is whether he to do another film or done with the franchise. The doubt after the confusing end of this film.

The end was quite clear on the story perspective, so I kind of felt it was a farewell for Craig. But, later I came to know that the official source says Bond25 will be his fifth and so on till he opts out himself. 'Spectre' was a very simple Bond movie I have ever seen, but I can say the production quality was so good that you can't resist the enjoyment. The actors, they were also good, but not as I anticipated. Maybe many scenes were very ordinary for a Bond movie, that's comparable with the nowadays action movies, otherwise it was not as bad as critics expressing their disappointment.

You can't believe what I was disappointed, you know when they say what the C stands for - is that the best word they come up with against the M for Moron? Anyway, James Bond movies have always had ups and downs, the last film 'Skyfall' was a mega hit and now this has not stood up to that standard. But very entertaining with all the actions and unexpected turns in the narration. As a spy movie, it was okay, but as a Bond movie is what might upset you, so its upto you how you look at it. But to be honest, I enjoyed it.

7/10

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