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TKG: The Kids of Grove release date : 7 June 19 5 2
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Enola Holmes crew : Jina Jay, Kim McGarrity, Giles Nuttgens, Giles Nuttgens, Tom Sayers, Consolata Boyle, Michael Carlin, Michael Dreyer, Michael Dreyer, Peter Afterman
Enola Holmes release date : 23 July 19 0 9
Enola Holmes runtime : 123 Minutes
Enola Holmes Crew : Jina Jay, Kim McGarrity, Giles Nuttgens, Giles Nuttgens, Tom Sayers, Consolata Boyle, Michael Carlin, Michael Dreyer, Michael Dreyer, Peter Afterman
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2020 is unquestionably one of the most challenging years movie theaters ever had to face. The still going global pandemic closed down everything, including my favorite place to spend the most wonderful time. Therefore, the already growing streaming services got a huge bump, earning more and more subscribers during this tough phase in our lives. Netflix has been extremely busy releasing brand-new flicks since the beginning of the year, being The Devil All The Time, I’m Thinking of Ending Things, and Project Power the latest. Some better than others, but I’m still to find a 2020’s original film from the studio that I genuinely dislike. Is Enola Holmes the first one?

Well, no, far from that. With such a talented cast and high production value, a new take on the classic Sherlock Holmes’ mysteries is certainly welcome, and this is one of my top two compliments. Debutant director Harry Bradbeer and Jack Thorne (His Dark Materials) offer a refreshing twist on the famous detective’s stories, not only by focusing on her less popular sister instead but also by delivering a different Sherlock than the one we’re used to seeing. The editing (Adam Bosman), cinematography (Giles Nuttgens), and score (Daniel Pemberton) contribute to quirky, fun, captivating scenes that help the viewer follow Enola’s assessment of several situations, including her thought process (interpretation of clues, formulating plans), most of the times by breaking the fourth wall.

This last aspect takes me to my other top two praise, Millie Bobby Brown. She’s the reason why these sequences work so well. From the moment I first saw her in Stranger Things, I genuinely believed she would be a star. For the past few years, I’ve constantly left in writing that she will break the Oscars’ record for the youngest actress to ever win a Best Actress award. Millie still has a bit more than five years to achieve that, and she’s already leading major blockbusters like Godzilla: King of the Monsters. With this Netflix movie, Millie proves once again her versatility (already portrayed completely different characters in distinct genres), emotional range (effortlessly delivers any type of scene), and mature acting (rarely overacts or doesn’t offer enough, she’s always on point).

She incorporates Enola in such a unique manner that I struggle to find a better choice to play this character, who is herself also a standout. Enola’s arc feels genuinely empowering. It doesn’t feel like a forced political statement nor a narratively illogical decision to develop this character in the way Thorne does. Every enigma she tries to decipher, every plan she needs to create to save someone or something, every choice she makes feels earned and justified. Enola doesn’t let herself be restricted by old society’s rules of how the world should work. She wants to be herself without having to answer to nobody. It might be a generic message, but it’s transmitted through seamless execution.

Regarding the rest of the cast, Henry Cavill is a major surprise as Sherlock, and I won’t be shocked if it generates some controversy (update: it did). It’s a notably different version of the distant, emotionless, overly analytical Sherlock that Robert Downey Jr. and Benedict Cumberbatch interpreted, which I embrace with open arms. I don’t care about rights or origins. A character is what the actor and writer(s) make of it, it doesn’t belong to anyone let alone its “fans”. Cavill shows a cheekier display than what he’s used to presenting, and Thorne adjusted a couple of specific traits from the classic character. Louis Partridge and Sam Claflin are both excellent as Lord Viscount Tewksbury and Mycroft, respectively. The remaining actors all offer decent performances, but the two standouts are undoubtedly Millie and Cavill.

As for the film itself, I was ready to write “it’s fine” half an hour before I finished it. Even though it feels unique in several areas, Enola Holmes still follows a pretty generic story, with formulaic plot points and the usual character drama. Sadly, it doesn’t really bring anything new story-wise. It features no surprises, which is not a good attribute for a movie with a central mystery. However, that lack of enthusiasm leads me to a significant issue I didn’t expect to find in the latter half of the film. Its mystery isn’t truly one, and it’s set aside midway through the movie, which is a questionable narrative decision. I don’t remember the last time (if ever) where a film completely discards its main storyline (one that received an entire first act of set up), replacing it with a young-adult romantic endeavor (which is pretty convincing, but not as a main storyline).

I’m a firm advocate of the trailer-free methodology. Expectations can make or break the viewer’s opinion about a movie, and nowadays, trailers can be deceiving, misleading, and show way too much. I missed everything related to this film, watching it 100% blind. Had I watched Enola Holmes’ official trailer beforehand, I’d definitely be inclined to the negative side of the divisive line I stand on right now. Its trailer focuses on what most people will expect from the movie: the main mystery surrounding Enola’s mother disappearance. Considering how the film actually goes, it’s safe to write that its trailer is a bit deceiving.

All in all, Enola Holmes offers a pleasant, refreshing take on a franchise that might have a new future now. Focusing on Sherlock Holmes’ sister, Harry Bradbeer and Jack Thorne deliver a light, fun, entertaining story, packed with action, clues to decipher, and a brilliant cast. Millie Bobby Brown keeps climbing up the stairs of success, demonstrating her versatility, range, and maturity as a young actress. It’s a matter of time until she becomes one of the most coveted actresses in Hollywood. Her chemistry with Henry Cavill and Louis Partridge is phenomenal, and her fourth wall breaks are fascinating. Technically, Enola’s thoughts and feelings are perfectly transmitted to the audience through outstanding editing, cinematography, and score. However, story-wise, it’s as generic as it could be, boasting absolutely no surprises, and a central mystery that’s not quite one. It’s still a fine Saturday night flick to enjoy with family and friends but be advised: its trailer is a tad misleading, so keep your mind open and expectations grounded.

Rating: B-
Really good watch, might watch again, and can recommend.

To absolutely fair, I'm not sure if this will appeal to Sherlock Holmes fans, but does expand the "Sherlock-verse", so make up your own mind.

I love Millie Bobby Brown ("Stranger Things"), and this proves she is quite capable of not only leading a movie, but carrying the entire bloody thing.

Despite what feels almost a lack of contribution from everyone else in the movie, this actually turns out quite good. I do wish she didn't do the fourth wall breaks, it really feels like she's either turning to a documentary crew or suddenly updating instagram. It was a little jarring, and they're clearly referencing Sherlock's "mind palace" techniques displayed in the movies, but with a "twist".

I honestly expected someone to ask her if she's okay, like in "Dora and the Lost City of Gold". It would have been equally acceptable to do narration over her actions in the same, but I understand wanting to do something different.

The only other people that didn't seem to be phoning it in were Burn Gorman who did quite a good antagonist, and Frances de la Tour who managed to elevate "concerned grannie".

Maybe Sam Claflin did the job perfectly and Mycroft is supposed to be that bland and irritating, but Henry Cavill had an air of being relieved that didn't have to have Sherlock doing any real deductions, he just had to stand there and seem mildly intrigued by things.

Overall, there is a good movie here in spite of itself, and the sad part is that it could have been great.

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I was never a big fan of the Bad Boys films. Firstly, I'm not too fond of Michael Bay as a director (as a producer, he's fine). The way he directs his action sequences is incredibly choppy, filled with questionable CGI, very hard to follow, and we all know his passion for exploding everything. Oh, and I can't forget about the constant product placement (amazing how in a brutal explosion, everything is destroyed except a gorgeous-looking Audi car that remains intact). Secondly, the storytelling always felt extremely generic and unsurprising. So, obviously, my expectations weren't very high…

Maybe that's why I enjoyed Bad Boys For Life way more than I anticipated. This movie should be a lesson to the Fast and Furious franchise. To make a mindless entertaining action flick, the lighthearted tone has to be well-established from the get-go. Despite the fact that the third act deals with absurd emotional twists worthy of a Mexican soap opera, the screenwriters are able to find just the right amount of harmless fun. I didn't watch a single clip before the film, and ten minutes in, I acknowledged that its goal was to simply be entertaining without taking itself too seriously.

Adil El Arbi and Bilall Fallah balance the more dramatic family issues with the ludicrous action very well. The latter sequences are much better than Bay's. The car chases, even when containing a few too many cuts, are relatively easy to follow, and they pack that necessary adrenaline rush. There are a few surprising shootouts that are filmed to make them look like one take, which definitely brings something pretty uncommon to this kind of formulaic action movies. Technically, I think both directors did an excellent job, especially considering that this was their debut feature film.

However, the story brings everything down. I believe Mexican soap operas might have better scripts. The dialogue reaches such a cringe-worthy level. Every essential plot information is given either through lazy character interactions or by that magical computer that every generic action movie possesses with which the main characters can basically know everything about everyone at the click of a few buttons. The comedy is quite hit-and-miss to me, a lot of the jokes didn't land, but some did make me chuckle. Overall, the screenplay is as cliche as it could be, and that last shot… I hate it. In the end, it's the cast who saves the boring narrative.

Will Smith and Martin Lawrence share fantastic chemistry, and their banter is always entertaining to watch, even if it isn't as hilarious as it could be. I liked Lawrence more than Smith, maybe due to the non-action, family comedy bits that worked seamlessly. Nevertheless, it's dumb fun, and it's plainly visible that the actors had a blast shooting this movie. The whole cast transfer the joy that they had on set to the screen, and it's pretty noticeable. Watching Alexander Ludwig (Dorn) outside Vikings is always a pleasure (I so wish that he gets more important roles in the future), and the whole AMMO team (Vannesa Hudgens, Charles Melton, Paola Nunez) is all compelling enough, even if the characters are two-dimensional.

It's simple: whether you enjoy the Bad Boys saga or not, this is undoubtedly the best installment of the franchise. If you go to the film theater with basic expectations of having fun, Bad Boys For Life gives you that, so I recommend it. It's a pure popcorn-entertainment action flick with recognizable actors who all share great chemistry. With Michael Bay out of the director helm, Adil El Arbi and Bilall Fallah deliver surprisingly good action sequences, considering this is their debut feature film. The formulaic, cliche, soap opera story is straight-up ridiculous at some points, and it carries such an aura of predictability that when it tries to introduce an emotional twist, it merely becomes absurd. The last shot feels like a call to Hollywood to make more sequels, which sort of ruins the whole "Bad Boys one last time" tagline… I'm extremely undecided on which side this review should fall, so I'll base my decision on the answer to the following question: "Am I going to (want to) see this movie again or another sequel?" Honestly… no.

Rating: C+
Another action packed movie for fans of bad boys.
You know what you're getting.

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Title : Ava
Ava genre : Action, Crime, Drama, Thriller
Ava crew : Zach Staenberg, Stephen Goldblatt, Leslie E. Rollins, Molly Hughes, Greg P. Russell, Linda Cohen, Brenda McNally, Nancy Kirhoffer, Vikram Kale, Trish Seeney
Ava release date : 9 April 19 9 3
Ava runtime : 96 Minutes
Ava Crew : Zach Staenberg, Stephen Goldblatt, Leslie E. Rollins, Molly Hughes, Greg P. Russell, Linda Cohen, Brenda McNally, Nancy Kirhoffer, Vikram Kale, Trish Seeney
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A black ops assassin is forced to fight for her own survival after a job goes dangerously wrong. Ava 2020 review : This movie started out really slow, the middle was really slow and the end was predictable and slow, nice to see Gina Davis but if you want a decent movie watch something else.
**Overall Score: 4.6/5, 4.5/5 Stars, 9/10 Stars**

It's rare when you buy a movie unseen an end up enjoying it. I have always been a fan of Jessica Chastain, so when I saw a new movie with her in it, I knew I had to at least give it a shot. When I saw that it was inexpensive on VUDU, I figured why not just buy it. And I have to admit, I'm glad I did.

**Storyline: 4/5**. Jessica Chastain plays Ava, an assassin working for a mysterious company who doesn't really appreciate the fact that she talks to her targets. When she begins questioning herself, she goes home to see her family and ends up in a struggle for her life.

**Characters: 4/5**. Ava is the main focus of the movie, but we also get introduced to her mother, sister, ex-boyfriend, and handler throughout the movie. Each has their own issues with Ava, but the one closest to her is Duke, her handler and trainer. Her mother is in the story for really no reason than backstory for Ava's character. The sister, Judy, is a little more involved with her overall and might be the closest thing to a full secondary character. The ex-boyfriend, Michael, comes in a close third. There is no deep character connections in this movie, but the characters all do a good job moving the story forward.

**Direction: 4/5**. I do not think I have seen any movies by Tate Taylor before, but he's done a few movies that I never cared to see, so this is my first experience with him. Overall, he's not a bad director. He has a good eye for how a movie should be filmed, he doesn't use any crazy camera movements to show action, and overall I was happy with how he made the movie. I had no real problems with his sense of direction.

**Casting: 5/5**. I love when a movie has a good cast. Jessica Chastain, Geena Davis, Common, Colin Farrell and John Malkovich are always good in whatever roles they are given.

**Acting: 5/5**. What makes a good movie to me is when you lose the actors in their roles. There were times when this did not happen in the movie, but it was very rare. For the most part, I believed everyone as the parts they played and not as the actors playing them.

**Music: 4/5**. The music in this movie isn't the type I would download the soundtrack for, but it did its job in blending in without being a distraction, giving scenes that little extra *umph* they would need.

**Cinematography: 5/5**. One of the most annoying things in recent action movies is the use of shaky-cam to give a feel of action. Thankfully, this movie did not use that. Scenes were shot well, and lighting was always perfect.

**Production Design: 5/5**. There did not seem to be too many built sets in this movie, which really helped because I'm sure this movie probably did not have a large budget. The sets they used were used well and helped bring the story together.

**Pacing: 5/5**. This movie did not drag like I was expecting it to. It moved a little slow but not at a pace where I kept wondering when the movie was going to end. Scenes seemed to be the perfect length to keep the story going without rushing through them or taking too long to get through.

**Enjoyment: 5/5**. To me, how much I enjoy a movie is one of the most important factors. I enjoyed this movie a lot. It was a good spy-assassin thriller with a low enough budget that not too many chances could be taken so the story had to come through. I debated on whether my enjoyment was 4/5 or 5/5, and it might change in the future, but for now, I really did enjoy this movie.

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Title : Backdraft 2
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Backdraft 2 release date : 18 May 19 3 5
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Joker crew : Scott Silver, Bruce Berman, Bob Kane, Mark Friedberg, Lawrence Sher, Lawrence Sher, Laura Ballinger, Michael Uslan, Lisa Dennis, Tod A. Maitland
Joker release date : 10 January 19 8 3
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During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure. Joker 2019 review : If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Obviously, Joker is one of my most anticipated movies of 2019. I mean, how couldn't it be?! Besides belonging to the superhero genre, DC has been on a streak of great films within its universe, so an isolated installment definitely excites me, especially about one of the evilest villains ever. It's by far one of the less comic-book-y flicks of the century. It doesn't follow the generic origin story formula, it avoids any cliches associated with the genre, and it's the type of movie that's becoming more and more rare nowadays. It's a character study like we haven't seen in a long time.

I'll simply begin with the person that elevates the entire thing: Joaquin Phoenix. Now, if there's something I'm not going to do is compare his performance with Heath Ledger's. That's the number one mistake people are going to keep making forever. First of all, The Dark Knight and Joker couldn't be more distinct films, even if they belong to the same genre (despite Joker being unique, it's still about a famous comic-book villain). Then, despite Phoenix and Ledger portraying the same "version" of the clown (crazy, sadistic psychopath), the former is 90% Arthur Fleck while the latter is 100% Joker, throughout each of their movies. Finally, Phoenix is the sole protagonist of this feature, while Ledger had the best live-action Batman sharing the spotlight.

In conclusion, it's both unfair, and a bit unreasonable to compare both interpretations since their roles have a different impact on the narrative, as well as each film being entirely different. In the end, both are impressive. However, let's switch to Phoenix since he's the star of this show … He has 2019's best performance, by far! With a strong marketing campaign, I'm sure he'll get that Oscar. I hope so! It's so well-deserved. Todd Phillips and Scott Silver developed a brilliant screenplay, but Phoenix elevates it to a whole other level.

Throughout the entire runtime, I felt weird. Perturbed. Even uncomfortable with what I was watching and consequently feeling. It's a dark, brutal, violent, emotionally powerful origin of a villain who I feel disturbingly empathetic towards. Phoenix makes the story work due to its remarkably captivating display of someone who's mentally ill. Arthur Fleck slowly becoming crazier is due to how society behaves and not due to some chemical pool that transforms his skin white and hair green (nothing wrong with this, but I know which origin story I prefer). "The world is getting crazier out there", and it becomes excruciatingly painful to deal with it, especially when so much is going on with Arthur’s personal life, and most of it he doesn't even realize because he tries to hide everything behind a smile.

It's a screenplay filled with narrative twists that not only pack a punch of surprise but leave you feeling extremely upset. The last act is one of the best in the last few years. If the second act is an enormous build-up, the last one is a terrific payoff. I can't remember the last movie I saw where I loved 100% every single narrative decision. I wouldn't do any of the big moments differently. There are so many excellent references hidden in plain sight that comic-book fans (and fans of the TDK trilogy as well) will love just like I did. In the ending, there's one pivotal moment in particular that serves as the absolute climax … I got chills all over my body. They couldn't have done that scene more perfect. I only have one tiny nitpick with the way some scenes feel repetitive since they neither move the plot forward or give us anything new. Some of these still help to create tension, some feel like they're just… there.

A Best Picture and Best Actor nominations seem to be on its way, but these are not the only achievements that deserve to be recognized. The original score by Hildur Guðnadóttir is incredibly addictive, so much that I'm listening to it while writing this review. It definitely helps to generate tremendous build-up, and it elevates the sinister environment of Gotham City. Lawrence Sher's cinematography is utterly stunning. The underexposure of some scenes is glorious. Sher paints the screen with so many gorgeous shots, especially with his close-ups on Phoenix, where the latter is able to shine. Jeff Groth is also impeccable in the editing room. There are several long takes with Phoenix just giving his all and letting all his emotions out (or keeping them all contained), which is always something I deeply appreciate since it helps with the flow of the narrative.

Regarding the film's controversy surrounding its messages and the incentive to violence, I really don't know what to say. It's ridiculous. I remember those times when going into the movie theater was a surreal experience. It was the number one place for people to forget about their lives, jobs, everything. Joker is a fictional story! It's the origin of one of the worst psychopaths in the history of comic-books and cinema. If people expected to leave the theater "happy" or "joyful", then at least one of the film's message is right: society really is getting crazier. Have people forgotten who Joker is? What could you possibly expect from his origin story?!

Nowadays, no one knows how to behave (social media is the primary source for spreading hate). No one respects the fellow citizen or even the world itself. More and more people only look at their own bellies. Political agendas are everywhere. New extreme movements are created every other year. Social hypersensibility is exponentially growing. The same way some people will hate this movie for not being able (or simply not wanting) to accept that they feel empathy towards a murderer, people all around the world behave like their actions don't reflect on another person's life and on their own planet. If people get ruthlessly violent because they watched Joker, how can someone complain that the film's message is bad when it's eventually true?

All in all, Joker is one of the best movies of the year, and it's definitely on my Top3 at the date of this review. Joaquin Phoenix delivers my favorite male performance of 2019, by elevating a script about the origin of one of the evilest villains ever. The way he gradually becomes more insane is worthy of study, but it's how he's able to make the audience create empathy towards a psychopath that leaves me disturbingly captivated. Todd Phillips produces a character-study filled with an astonishingly tense build-up and one of the most chill-inducing payoffs of the last few years. With every single narrative decision nailed perfectly, Hildur Guðnadóttir's score and Lawrence Sher's cinematography stand out. The lack of restraint in showing the unmerciful violence (physical and mental) that society inflicts on one another is what makes us feel unsettled. Because we know it's mostly true, and we refuse to accept it. It's not a film about the Joker. It's a very realistic portrayal of someone (anyone!) who can become someone like him. And it's disturbingly brilliant!

PS: Robert DeNiro (Murray Franklin) and Zazie Beetz (Sophie Dumond) are also great. Phoenix's performance is so mesmerizing that I almost forgot there were other actors in the movie.

Rating: A
Joker. The character that has existed since 1940, has become so heavy with so many different portrayals, different origins, that it feels impossible for any mortal man alive to impersonate the scattered personalities. It is an insurmountable task for any director to digest it all and still produce one more.

Todd Phillips had a crazy challenge. He brought in one of the best actors alive to lift it with him, Joaquin Phoenix. Together, they have built a mass-market masterpiece which is just above the crop. It is appropriately crazy and completely focussed on the central character. The narrator goes close to the shores of that craziness, wets his feet but remains dry to tell this story. It is like those news reporters which go closer to the burning amazon, but it is impossible to step in the fumes. In no way, Joker is telling his story. Instead, his story is told to us and there are pillars of sanity (like the detectives, asylum clerk etc.) which remain steadfast to give a strong anchor to the audience. This dilutes the effect of the film.

With the copious amount of material on Joker already, I wished to consider this film as a standalone character study vaguely inspired by the batman universe. But this is not entirely possible. I was forced to think about it on two levels. With Batman and Without Batman.

With Batman, The Joker is on the home turf. There have been many renditions of Joker, and Heath Ledger's portrayal is still vivid in my mind. I knew that Arthur here will go on to become someone who is going to say, “‎Introduce a little anarchy. Upset the established order, and everything becomes chaos. I'm an agent of chaos...”. When I was thinking Joker in the context of Batman, I could not keep Ledger's joker too far away. I was searching for a path for Arthur to go from the mentally unstable to the calculating anarchist. I was left searching for that path when the movie ended. To remain as the crown prince of crime, and to justify the title of the greatest adversary of Batman, just mental instability isn't good enough. He needs to be much more intelligent, much more cunning. These traits are often visible early, In the case of Arthur, I could not find that complete foundation upon which the later psyche can stand. This reminded me of Cameron Monaghan's Jerome Valeska. The joker of my understanding is somewhere between the cruelty of Jerome and pitiable delusions of Arthur. Also, the iconic Batman moment was not needed in this. I kept feeling that Joker is trying to stand with the support of Batman's tale as a clutch. A safety net enforced by the producers.

On the other hand, if I consider this movie as a standalone tale, then it was a bit more satisfying. There are tearjerker movies where nothing good ever happens with the protagonist. A series of bad lucks, or difficulties keep blocking a normal life. He is most definitely poor, has a sub-optimal family background, has a medical affliction which is unique and provides a foundation of the pity I felt. This is not very far from Rani Mukharjee's Hichki if you only consider the medical condition. Rani's Naina had Tourette syndrome while Joaquin's Arthur suffers from pseudobulbar affect. The setting and genre make the two films vastly different. More often than not, I have noticed these disorders lift a lot of burden from the narrative. In the case of Joker, couple his disorder with usually being in the wrong place at the wrong time, you have a travesty of human life. Add to that, an unstable parent, amplify it with the volatile societal conditions, you have a perfect decoction of what Joker is made of. As a tale of its own, it works. The delivery is great thanks to the spectacular performance. It also helps to increase the awareness of mental health. But when you strip off all the Batman context, it remains a well-acted and averagely written tale.

Unfortunately, this is a single film, and I felt it is torn between these two polarising treatments. It wants to find its ground, which it finds. But that ground is far from being sensational. It remains somewhat indecisive. It can not be well soaked in Batman lore like James Gordon's tale, Gotham is. I am considering Gotham because both Gotham and Joker do not feature Batman, but they both have Bruce. Gotham understands its lore and fully embraces it but Joker does not want to. At the same time, as a tale of the psychologically troubled protagonist, Joker tries to play safe with the aim to please audience en-mass. I kept thinking about American Psycho and The Machinist. (Coincidently, both star ex-Batman Christian Bale). Those two take you in the psyche of the protagonist. Those take you inside the burning Amazon and not stand at a safe distance. Joker does not aim to do so.

I am not at all qualified to talk about the acting performances. Joaquin Phoenix is in every frame and the way he waltzes between emotions is terrifyingly amazing. The Tai Chi to calm himself down, the menacing stare when finally becomes the Joker, those are chilling. He lives the character to the best of his abilities. Regrettably, he does not have the same level of writing support which Heath Ledger had and so due to no fault of his own, Joaquin could not topple Heath Ledger's portrayal of the crown prince of crime.

If I consider Todd Philips's entire resume, this was a genre shift for him. He knew very well that the biggest trump card is Joaquin Phoenix, so he takes no risk. He keeps him in focus, almost always all the setting and cinematography works for him. The only exception being Robert De Niro. Robert is allowed to carry his scenes quite independently. I think Todd Philips relied on both these giants to carry their parts. Sadly, I had gone to a theatre which had a bad print or screen so I think I will have to watch it again sometimes to enjoy the cinematography.

I realised, I kept writing a lot and this is already over a thousand words. If you are here and reading still, I must say thank you. To summarise, The Joker worked for me and I enjoyed it, but I would not consider it the best depication of the iconic villain from comic books. The best may yet come.
The Joker is similar to the DC Joker character but is not a criminal genius. The movie was a great depiction of how a person who has been mistreated, lied to, and ignored, totally lacking access to human compassion, can snap. The acting is top notch, and it puts a spotlight on the importance of mental health in modern times.
Okay, this film has already been so widely debated that I’m not sure what I can really add to the conversation. So, I’ll just give my thoughts.

“Joker” is a fairly basic character study of Arthur Fleck, a mentally ill man who feels increasingly marginalized by an uncaring and brutal society in Gotham City. To start, the characters, except for Arthur himself, are pretty flat. They seem to have little purpose other than to further Arthur’s story. This includes Thomas Wayne, who in other media is portrayed as a man of many dimensions, wealthy but caring, and instilling these values in his son Bruce. Here, he is portrayed as much more uncaring and elitist. Which gives much less of an impact in the inevitable alley scene we see in everything remotely related to Batman. More on this in a minute. It’s important to the point.

Arthur suffers a condition that makes him burst into laughter at inappropriate times. He also has other unspecified mental illnesses. We’re never given the specifics. This is actually a little troubling because of the general depiction of mental illness. It almost seems like they are saying that if someone is mentally ill then they are a ticking time bomb and it’s only a matter of time before they go off. This is not a good look.

After a series of events, Arthur begins spiraling downward, but at the same time realizes how much influence he can have over other people, an aspect of the Joker that isn’t often explored. And this is where the characters other than Arthur being rather flat comes into play.

There’s more than one indication that we are actually witnessing these events through Arthur’s eyes. And this creates a brilliant depiction of a narcissistic personality. The only character that gets fully fleshed out is Arthur himself, but he can’t or won’t connect with other people to see their depth. As such, we get to see narcissism from the inside, no connection to others and in fact seeing them as pawns in his own schemes. It’s subtle and definitely not in your face, but if you look carefully, the hints are there.

Those who fear that "Joker" would glorify incel violence or otherwise can rest a little easier, but as I mentioned, the film isn't without its troubling portrayals. It does vilify the mentally ill, which creates a whole host of other issues. The movie swings wildly between "excellent" and just "okay," and sometimes even "meh." As such, it gets a recommendation, but only a mild one.
*A Masterpiece*.

The movie shows the escalating events that made Arthur become the Joker. Initially an inoffensive poor and sick man, Arthur suffered a tide of unfortunate events that pushed him closer and closer to the edge.

Ignored and despised by everyone, sick and alone in the world, and neglected by the State, Arthur becomes progressively more violent until he breaks.

Much more than one more Super-hero movie, *Joker* uses well-known characters to promote the reflection on the "ignored" ones. At least, ignored until they become a Joker.
***Not fun, but absorbing, artistic and tragic***

A mentally troubled middle-aged clown (Joaquin Phoenix) who lives with his mother (Frances Conroy) in Gotham City goes from not good to worse when he finally realizes his true identity. Robert DeNiro plays a talk show host and Zazie Beetz the friendly girl down the hall. Brett Cullen is on hand as Thomas Wayne, Bruce’s rich father.

"Joker" (2019) is an arty, slow-burn character study of the popular DC Comics’ villain, but it’s more of a psychological crime drama/thriller and tragedy than a superhero flick (or, in this case, supervillain). The movie’s captivating from the get-go and practically everything works for a broodingly superb cinematic experience.

There are several amusing bits, but this ain’t a fun flick. It’s heavy and tragic. But what’s the message? Simply that this is how a quirky man who wanted to make people laugh became The Joker. He’s a little reminiscent of the clown in Steve Gerber’s “Night of the Laughing Dead” in Man-Thing #5 (1974).

The movie runs 2 hours, 2 minutes, and was shot in New York City (Bronx, Harlem, Manhattan) and nearby New Jersey (Jersey City & Newark).

GRADE: A-/A
_Joker_ is a tour-de-force of a movie, not quite like anything I've seen, maybe since Taxi Driver. At its core it's a movie about the breaking point of a broken man, wrapped under the banner of a comic book movie that, take out the Waynes, works on its own.
Joaquin Phoenix truly gives a transformative performance (not unlike Heath Ledger) and will say is deserving of an Academy Award. The supporting cast all did well, though, and it is a small role, Zazie Beetz was great and De Niro had his moments, particularly at the end.

Got to hand it to Todd Phillips, between this and the good, albeit flawed, War Dogs, has proven to be more than those Hangover movies.

No, this isn't a feel-good movie and while it does sit at the top of my 2019 list, not entirely sure when I'd revisit. **4.75/5**
the ‘Hangover 2 & 3’, the two most uncomfortable comedies he’s ever directed that felt more crime drama than anything funny. There’s also some dark humor in ‘Joker’ that involves a door chain. It’s silly, yet absolutely terrifying with the given context. A complete departure from his other work and that’s why I think it’s one of his best. I honestly think he made something so unique and meaningful. Seriously, I do.

The score by Hildur Guðnadóttir helped set the tone tremendously. A melancholy tone with a chaotic twist. A representation of Arthur slowly drowning in his own misery and pain. A little fun fact: The score for the film were written based on the script even before the actual filming of the movie started, which I think is the best way to do it, if you ask me. Someone to imagine movie by songs and incorporate their interpretation through music.

The cinematography was gorgeous and there’s a handful of shots that has imprinted into my memory. Lawrence Sher does an excellent job off showing the decaying Gotham city and the sewer waste look of the city. Bright neon lights with striking colors that manage to make the most run down of places look pretty.

I like how they actually gave Thomas Wayne a character rather than “guy gets shot in alleyway”. He’s portrayed as a ruthless man with blunt ways of saving Gotham City. However he loves his wife and son, so his unforgiving attitude was all for the shake of keeping his loved ones safe. He’s also a massive movie buff where he often goes to watch the classics on the big screen. So it’s an interesting take on the character viewed in somebody’s else perspective.

There’s a scene where Arthur goes to watch a comedy standup show to take notes on a comedians act. Every time a joke is told and everyone laughs, his face is frozen in place with an unsure grin while his eyes look around the room wondering why everyone’s laughing, but when the laughter dies down he jumps to live with a delayed laugh. It’s moments like that are simple, yet says a lot about him. Basically showing how disconnected he is with humor and everyone else.

Now lets talk about the controversy that's been surrounding this movie:

This is one of the most ludicrous controversy in recent memory. The movie will not cause or inspire violence, but shows why violence happens. I mean, there probably has been incidents when somebody committed a horrendous crime because their were influenced by a movie or a game. However, it’s he/she that should be brought into question, not the creators. Maybe this movie could inspire people to think twice about how they treat others. Why not think about the positives? If “Joker” is going to be responsible for violence and mass shootings, then so is every other movie with any form of violence ever. If people really care about how violence is portrayed in movies, then Rob Zombies ‘3 From Hell’ should also receive the same attention. Just imagine ‘Natural Born Killers’ times 100, but I guess it’s not mainstream enough for any of that. And sure, there’s some brutal and raw approach to violence in ‘Joker’, but we all have seen worst. ‘Deadpool’ is more graphic than this. It's not the directors duty to teach morals to the viewer. People will never learn to stop pointing fingers at things to blame and actually do something about it! People often understandment how much power their got.

Anywhere, sorry about that folks, just had to get that off my chest. Go and check it out.

Overall rating: “Send in the clowns” ⇠ you’ve gotta sing that like Frank Sinatra.
It is intersting to analyze this movie in a context of global increase of violent social movements against the Establishment. Joker succeed in making me accept a violent reactions without really explicit political fundation.
This is going to be one of those posts where I go against the mainstream but my reaction when I watched this movie was: You got to be f… kidding me?

The only resemblance to the REAL joker in this movie is the name. As far as I am concerned this movie is an insult to the fans of Batman and the REAL Joker.

The “Joker” in this move is a unintelligent deranged nutcase. There is a sob story in the background about how he became that way which is totally uninteresting.

The REAL joker is a intelligent criminal mastermind. I was waiting for this nutcase to actually become that for the entire movie. Spoiler alert, it never happened! This guy starts as a useless sobbing nutcase and he ends the movie as the same useless sobbing nutcase.

The movie has NOTHING to do with the real Joker. It is a blatant attempt to garner support for a unrelated psychopathic thriller by using the Joker name. If it would have been advertised as such I probably would have, if not liked it, so at least appreciated it for it’s qualities. It is indeed a well done movie technically and the main character is indeed excellently performed.

However, even if I try to distance myself from the deceitful Joker label, I find it overall boring, too long and really a movie about a psychopath probably made by someone with mental issues himself. But then that’s Hollywood today.

That the politically biased and elitist so called “critics” on sites like Rotten Tomatoes like it is not really surprising but I have to confess that I am somewhat surprised at the rave ratings by real viewers on some other sites.

Honestly, I was expecting to be disappointing by this movie. Then I am always cautious about movies getting rave reviews, especially from the previously mentioned totally useless and crappy “review” site. I did not expect this level of disappointment though. Epic fail as far as I am concerned.
Joker made me laugh , cry , and made me feel scared . This movie isn't your run of the mill superhero flick this is a gritty homage to that of films made by the great Martin Scorsese . Some scenes will have you in shock and awe without breaking away from what Arthur sees and feels as he lives in an 80's era Gotham living with paper help and his mom and a mental disorder (Pseudobulbar affect if I'm not mistaken ) , the film also adds the unreliable narrator aspect ( where the camera can show you something that either isn't real or isn't happening), besides that the acting is phenomenal, Joaquin Phoenix really brings his A game, showing Arthur fleck as a loving, kind individual that just wants to make you laugh but is beaten down by an ever changing society that both beat him down and in the end breaks him. This movie also adds the idea of the "one bad day" theme from the killing joke comic where in the comic joker says and i quote '' all it takes is one bad day to bring the sanest man to lunacy " and it takes that idea and brings it to the forefront. In conclusion I think joker was beyond amazing, between the acting, music score and set pieces it was a wild (and scary) ride . Symbolism also sneaks into the movie with slight things you wouldn't notice upon first watching . This movie leaves you confused on what was real and what wasn't . In the end between you and your spouse , friend , or family member will have reasons on what was real and what wasn't and that's what made the movie even better for me , how it left me talking days after and like dark knight and iron man before this i believe that joker will change the superhero movie genre forever... send in the clowns 10/10 would see again

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