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Showing posts with label 2019. Show all posts
Showing posts with label 2019. Show all posts

Tuesday, August 3, 2021

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Title : Pets United
Pets United genre : Family, Animation, Adventure, Comedy
Pets United crew : Reinhard Klooss, Reinhard Klooss, Reinhard Klooss, Reinhard Klooss, Oliver Huzly, Mingzhen Sun
Pets United release date : 4 May 19 0 8
Pets United runtime : 89 Minutes
Pets United Crew : Reinhard Klooss, Reinhard Klooss, Reinhard Klooss, Reinhard Klooss, Oliver Huzly, Mingzhen Sun
Pets United movie cast :
Natalie Dormer, Eddie Marsan, Jeff Burrell, Harvey Friedman, Ian Odle, Bryan Larkin, Naomi McDonald, Tom Haywood, Andres Williams
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Wednesday, June 30, 2021

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Title : Ashfall
Ashfall genre : Action, Adventure, Thriller
Ashfall crew : Bang Jun-seok, Cho Sang-kyung, Kim Ji-yong, Kim Yong-hwa, Lee Hae-jun, Lee Hae-jun, Kim Byung-seo, Kim Byung-seo, Choi Jee-sun, Choi Tae-young
Ashfall release date : 14 December 19 3 0
Ashfall runtime : 128 Minutes
Ashfall Crew : Bang Jun-seok, Cho Sang-kyung, Kim Ji-yong, Kim Yong-hwa, Lee Hae-jun, Lee Hae-jun, Kim Byung-seo, Kim Byung-seo, Choi Jee-sun, Choi Tae-young
Ashfall cast :
Lee Byung-hun, Ha Jung-woo, Ma Dong-seok, Jeon Hye-jin, Bae Suzy, Lee Kyung-young, Kim Si-a, Lee Sang-won, Ok Ja-yeon, Choi Gwang-il
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Sunday, June 6, 2021

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Vivarium the movie 2019 showtimes complete online 4k Vivarium song, Watch Vivarium full movie online now.A young woman and her fiancé are in search of the perfect starter home. After following a mysterious real estate agent to a new housing development, the couple finds themselves trapped in a maze of identical houses and forced to raise an otherworldly child.,what are Vivarium movies in order Vivarium synopsis full movie Vivarium 2019 HD Movies, Full Length Movie
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Title : Vivarium
Vivarium genre : Science Fiction, Horror, Mystery
Vivarium crew : Kristian Eidnes Andersen, Kristian Eidnes Andersen, Patrick Ghislain, Tony Cranstoun, Brendan McCarthy, Niamh O'Loan, John McDonnell, Catherine Marchand, Colin Jones, Philip Murphy
Vivarium release date : 27 December 19 6 0
Vivarium runtime : 97 Minutes
Vivarium Crew : Kristian Eidnes Andersen, Kristian Eidnes Andersen, Patrick Ghislain, Tony Cranstoun, Brendan McCarthy, Niamh O'Loan, John McDonnell, Catherine Marchand, Colin Jones, Philip Murphy
Vivarium cast :
Imogen Poots, Jesse Eisenberg, Eanna Hardwicke, Jonathan Aris, Senan Jennings, Molly McCann, Danielle Ryan, Olga Wehrly, Jack Hudson, Michael McGeown
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A young woman and her fiancé are in search of the perfect starter home. After following a mysterious real estate agent to a new housing development, the couple finds themselves trapped in a maze of identical houses and forced to raise an otherworldly child. Vivarium 2019 review : ‘Vivavirum’ slots in neatly next to Jocelyn DeBoer and Dawn Luebbe’s ‘Greener Grass’ and Richard Stanley’s ‘Color Out of Space’ to form a loose trilogy of deeply surrealist releases in 2019 that skewer our perceptions of suburbia and the family unit. Director Lorcan Finnegan has brought to life a disturbing, thoughtful and bleakly funny mutant of a movie.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-vivarium-what-makes-a-house-a-horrific-home
Pretty pointless movie. Signed up to review because I couldn't believe the rating this received. Yes, you get a weird realtor and a creepy kid but other than that you just watch the couple basically repeat each day hating being stuck. You're not going to learn anything more about the weird freaks or why they're doing what they're doing and will end up feeling like you just wasted your time. Yeah, I get it's supposed to be satire but pass.
> **_Review on Horror Focus_**

This indie sci-fi thriller Vivarium from Irish filmmaker Lorcan Finnegan is many things, one definitely being quite the head-scratcher. Not because of it being an intellectually challenging story, or one that is laced with twists and turns to create an unpredictable viewing, but a film that delivers a narratives so peculiar that it is like something you've never seen before. Take this with a pinch of salt, as there's certainly aspects which don't make the landing of such an ambitious plot, but let it also be known that Vivarium contains some impressions visual and narrative storytelling, enough to forgive some of the mid-act waffle that cripples the films momentum.

Finnegan gets the ball rolling with power, keeping the story taught enough that we are thrown straight into the mystery early doors. This works extremely well as the tension begins to bubble within the first ten minute mark. The performances here from our main cast member already begin to show their brilliance, especially Jonathon Aris who sets a chilling foreshadowing tone with his appropriately eerie character Martin. The small (yet effective) amount of screen time we have with Martin is enough to set the tone, and we, like Tom and Gemma are forced to endure something that is so ominously intense that it leaves a lingering sense of dread.

Unfortunately, this soon begins to simmer once Finnegan establishes the plot in its whole, and realisation settles on the simple fact that, after the 30 minute mark, there really isn't much else for the story to go. Yes the labyrinth maze of suburbia is strangely terrifying, and the strenuous repetition is effective, but after 15 minutes of having the child introduced, Vivarium begins to fall flat, and grow increasingly more stale up until after the sixty minutes in. The fantastic Poots and Eisenberg, and the deadpan humour do prevent this film from becoming a little too one-note, but this doesn't exuse more than a few scenes that will be a task to sit through, even in these current homebound world we are living in.



There is a glimmer of brilliance in Finnegan's choice of release here, as what our main couple are enduring is poetically reflective of the life we are living in this mad pandemic virus. I found myself identifying with the irritated attitude our characters develop, and sympathised with them when their child (the boy) was well deserving of a slap. Vivarium is intelligently relative right now, and can definitely be perceived as as Finnegan holding a mirror up to the idealistic yet treacherous concept of what makes the perfect home, and the urge to be the perfect family.

In fact, there's so much underlying aspects of Vivarium that are so incredibly reflective of the inevitable repetition that comes once a spunky couple are weighed down by family life, securing their "ideal" home and tolerating each others impurities under the same roof constantly. Finnegan exposes the dangers of the nuclear family here, and forces us to endure it too, warts and all. We even get those little moments in which Tom consistently chips away, digging a whole, not to be talked to, helped or interrupted by Gemma, who becomes a slave to ensuring nothing but contentment for their boy. This moment is humourous with a dark sting, and will be reflective of reality to many, but to those inside Vivarium is nothing but a nightmarish loop.

This distorted utopia Finnegan creates is what's most effective, orchestrated by a Burton-esque palette that is as gorgeous as it is hauntingly off-kilter. The early 80's, Romero's Day of the

Dead-like synth is undeniably effective, and carries the tension through to the final act, which although doesn't hit a payoff point that excuses the slow middle act, does add to the bankers reality Finnegan has crafted, and highlights the eeriness established from the beginning. While Vivarium does lose a tone of momentum when it hits the mid-way point, by the time it reaches its end, I can't shake the distinct feeling of unease I had to endure for over eighty minutes, and I can't deny that a film like this was an experience I have quite been exposed to before. I have been feeling really under the weather these past few days, and let's just say this only made me feel worse. Great job, I guess?


VERDICT
Vivarium is a simplistically disturbing suburban nightmare with a captivating story and little room for growth. Enduring its drab middle act may prove tricky, but once Finnegan blows the dust of the eerie intensity established from the beginning, you'll find there is much to be desired with this unsettling little indie-sci-fi thriller.
Amazing watch, will watch again, and can recommend.

Imogen Poots and Jesse Eisenberg (both from "The Art of Self Defense") are amazing in their roles as an abducted couple force to raise a child.

This is an amazing premise (see "Solar Opposites" for something similar), and one that is extremely hard to discuss without spoilers. This is a wonderful mix of tropes. There is a prisoner / abductee trope, there is "adoption of a strange child" trope, there is a "troubled couple" trope, there is even a mystery trope.

I'm fully of the opinion that the right thing to do in any abduction situation is to not reward the criminals with what they want because there is no reason that while they have all the power that they're going to do anything to benefit the victims. We get see an exploration of what people do in a dire situation and given a task, similar to a couple different "Twilight Zone" episodes.

The production value is clearly here, and while they appear to have saved some money on limited locations, it clearly put to good use as the movie delves deeper into its story.

I can't recommend this enough, please give it a shot all the way through.
Sci-fi thriller, just not _"on the edge of sit"_ type. Lorcan Finnegan remakes his short film **Foxes** and adds a life message to it.
It's a movie whose premise had promise but was never thoroughly explored.

I read the generally high praise in the reviews for this movie and admittedly, I was fooled. I'm convinced that at least the individual here who likened part of its premise to the animated series, "Solar Opposites," while not being entirely off the mark, neglected to mention that unlike Solar Opposites, there is no payoff with Vivarium. Unlike Solar Opposites, we don't know why Vivarium exists. We don't know why people are expected to raise these mysterious hominids. We don't know what their purpose is, other than to entrap first home buyers, like some kind of otherworldly predatory lender. Is it a euphemism for unscrupulous property developers? Who knows?

Only thing I know is that by the end of it all, I felt totally ripped off. At around 90 minutes, it was 60 minutes too long. It's not even something that I can suggest is open to much interpretation.

If you just need something playing in the background while you're performing other work at home, even then it may be a stretch but it certainly doesn't deserve much better.
Vivarium was eerie and creepy, and definitely a movie that will mess with your head, albeit probably in ways other than you anticipated. You'll be tricked in the beginning into believing this movie is actually a sociological observation of the slow and robotic death of suburban life: you and your nuclear family settle into middle class conformity in a large, seemingly endless design of mazes and hedges, condemned to repeat the endless cycle of home, school (or work), home, sleep, rinse and repeat. And it certainly gives one those unsettling vibes, especially when the creepy box with the build-a-baby arrives at their prison doorsteps.

Rather, this is something else entirely. While it does well maintaining that nearly subtle sense of wrongness, of something being terribly just _off_, in the end, you may find yourself somewhat disappointed, as it is at this precise moment the film becomes like every other movie of its kind out there. Quite possibly, it is the end that is the most disturbing, for it seems to insinuate that humanity is as disposable as livestock.

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Thursday, May 27, 2021

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Title : Frozen II
Frozen II genre : Animation, Family, Adventure, Comedy, Fantasy
Frozen II crew : Christophe Beck, Chris Buck, Chris Buck, Peter Del Vecho, David Womersley, Hans Christian Andersen, Byron Howard, Jamie Sparer Roberts, Allison Schroeder, Jeff Draheim
Frozen II release date : 13 April 19 3 1
Frozen II runtime : 104 Minutes
Frozen II Crew : Christophe Beck, Chris Buck, Chris Buck, Peter Del Vecho, David Womersley, Hans Christian Andersen, Byron Howard, Jamie Sparer Roberts, Allison Schroeder, Jeff Draheim
Frozen II movie cast :
Kristen Bell, Idina Menzel, Josh Gad, Jonathan Groff, Sterling K. Brown, Evan Rachel Wood, Alfred Molina, Martha Plimpton, Jason Ritter, Rachel Matthews
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Elsa, Anna, Kristoff and Olaf head far into the forest to learn the truth about an ancient mystery of their kingdom. Frozen II 2019 review : The kingdom of Arendelle needs to be evacuated when the forces of nature threaten to destroy it. Elsa, Anna, Olaf and Kristoff set off to find some answers. But Elsa has been distracted. She has been hearing an unfamiliar voice calling out to her in a strange tune. Led by her, the group follows the melody to find themselves at the edge of an Enchanted Forest with untold mysteries and dangers.

Rather than retracing the steps of its record-breaking predecessor, ‘Frozen 2’ tries some new thematic tricks. This time around, the surprisingly mature plot focuses on transformation and growing up. The film’s setup leading up to the climax appears to be promising, but its third act doesn’t quite live up to expectations. The conflict resolution lacks a sense of impact and feels rushed. This is particularly baffling since the first half tends to meander, focusing on songs than on purposefully furthering the plot. Additionally, the tracks are far too many and certainly not as catchy as the first film. Which isn’t to say they are bad – the compositions are layered, but it is yet to be seen if they have enough sing-along power to become as popular as ‘Let It Go’. Still, the picturizations of the music is incredibly captivating.

This extends to the rest of the film’s animation too, and some vibrant colors combine with photo-realistic visuals to create quite a spectacle. Minor details are noticeable as they enhance the essence of each character. While each of the group gets their moments, Elsa and Anna continue to be the focal points. The uncontainable chemistry of Idina Menzel and Kristen Bell, respectively, picks up where they left off without missing a beat. Olaf provides ample humor, either in visual slapstick or by Josh Gad’s endearing yet tongue-in-cheek, almost self-aware delivery. An interesting new character played by Sterling K. Brown is an immediate standout. However, a subplot involving Kristoff and Anna feels shoed in to give Jonathan Groff something to do besides singing probably the most amusing song in the soundtrack.

It’s a tall order to expect this sequel to capture the lightning-in-a-bottle magic of the original, but Frozen 2’s stunning eye-candy and humor will be enjoyable enough for its younger core audience.
While ‘Frozen 2’ isn’t as strong a film as I had hoped it would be, I wouldn’t go so far as to call it a disappointment. It’s still incredibly entertaining and I found myself engaged throughout. These films do have an undeniable charm, and outside of the now-completed ‘How to Train Your Dragon’ trilogy, ‘Moana’ and Laika’s ‘Missing Link’, these are the only major American animated films attempting the use the form to create a cinematic experience. It is a pity that the story never finds its feet; a combination of this level of craft and a real ripper of a yarn would have made this a slam-dunk. As it stands though, the magic of the ‘Frozen’ franchise is still there - dimmed, but there nonetheless.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-frozen-2-elsa-and-anna-return-with-the-magic-mostly-intact
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

As you should know by now, I enjoyed Frozen more than I expected. Therefore, I was genuinely excited about its six-year sequel. It’s one of the few movies in 2019 to which I went in 99% blind. I didn’t watch a single trailer, I barely saw any images or small clips, and I didn’t know anything about where the story was going. So, with my expectations moderately high, how did it perform? Very, very well. I’m going to write it straight away: I enjoy this sequel more than the original. For one simple reason: it possesses a more emotionally complex narrative, one which I think the target audience (basically kids) won’t even fully understand.

It’s really hard to create an animated flick with a story that works for both adults and children. The best of the best are the ones that are able to almost tell two different narratives: one simpler for kids with basic life lessons, and another for adults with more profound themes. Frozen II doesn’t reach this last level, but its layered screenplay allows for an exploration of Elsa’s powers that I genuinely didn’t expect. However, there’s an evident downside to the extreme focus on Elsa’s journey… The other characters are put aside with irrelevant subplots that only stretch the runtime a bit too much, and unfortunately, reach a certain point where out-of-character actions occur.

There’s even a period of time where a particular character simply vanishes from the story because Jennifer Lee and Chris Buck couldn’t figure out what to do with it during the last act. Despite the subplots not being impactful or not being able to further develop its characters, I can’t deny some sequences are entertaining and funny as hell. Olaf is the absolute MVP of the film, and just like in the original, he doesn’t exactly have an arc. Nevertheless, he has one of the most hilarious sequences of the year. I cried from so much laughter. His song and a couple of scenes where Josh Gad goes all out are some of the funniest of the whole movie.

The voice cast is once again perfect. Anna, Kristoff, and Sven are sort of along for the ride, with the trio only doing something useful in the last 15-20 minutes. Elsa is the real star of the show. From the opening shot to the last, it’s all about her, and her powers’ origin. It might get too convoluted for kids, but despite a few minor missteps, it’s an extremely well-developed screenplay. With a remarkable build-up and some truly amazing songs, Elsa goes through several action moments where she showcases all that her magic can do. And it’s visually mind-blowing. Like in the first film, the animation quality is extraordinary.

They really put 200% effort into Elsa’s magic sequences. From her running against a tide of waves to fighting against the four elements (water, fire, earth, and air), there are imaginative and incredibly entertaining scenes, which give the movie a level of entertainment superior to its predecessor. Put this together with the wonderful, powerful score, and you get a pretty epic film, scale-wise. I mean, Into the Unknown is not going to reach Let It Go’s level of worldwide craziness, but it’s a phenomenal song. It’s even better hearing it while watching the actual scene play out. Both this one and Show Yourself have a build-up worthy of sending chills down your spine.

All Is Found is also a memorable lullaby that a lot of parents are going to sing for their kids. When I Am Older is Olaf’s hilarious musical moment that left me laughing throughout its entire run. I love Frozen II’s score, more than the original’s. That’s something I genuinely wasn’t expecting at all. Looking back, I now think the first installment doesn’t even have enough significant songs. This sequel has tons of songs that are either extremely important for the characters or funny parodies. All are very captivating, catchy, and emotionally resonant. My advice: please, don’t listen to the soundtrack before watching the movie. Not only the titles and lyrics offer plot spoilers, but they ruin that “first experience” feeling. I got chills during a couple of them precisely because I watched besides only hearing them.

All in all, Frozen II compensates the six-year wait with a follow-up worthy of standing up to its original, which in my opinion, surpasses it. With an emotionally complex narrative, Elsa’s powers are explored and developed in a captivating, creative, fun, and entertaining way. Disney really put their best animators on this because the quality of animation has never been as visually impressive as this. It really feels like a magical film. Elsa’s magic demonstration plus the powerful, chill-inducing original score are two aspects that together provide some truly epic moments. However, Olaf is the MVP with a lot more screentime than in the original, and with a couple of the most hilarious scenes of the year. It’s a shame that the focus on Elsa’s arc pushed every other character aside, making them feel useless and with no exciting or impactful subplot. Runtime feels a bit stretched due to their side adventures, and exposition is pretty heavy throughout the entire duration. In the end, it’s still a contender for Best Animated Feature Film of 2019.

Rating: B+
Better than the first film which I found lackluster in almost every area outside the animation, this one had a stronger story and character development and while I can't say there was one highly memorable song, it did flow a bit better in the sequel. **3.75/5**
Making a quality sequel can be tough, and even moreso when it’s a follow-up to a beloved modern classic. “Frozen II” has huge shoes to fill from the outset, and this second installment of the Disney animated tale of two sisters is a mostly unsuccessful adventure. Even the dazzling animation can’t make up for what’s lacking, including the absence of an instant hit song (nothing here even comes close to the brilliance of “Let It Go”), dry voice performances, and a mediocre story.

When ice queen Elsa (Idina Menzel) begins hearing a strange voice calling her, she and sister Anna (Kristen Bell), Kristoff (Jonathan Groff), snowman Olaf (Josh Gad) and reindeer Sven set out on a perilous journey to discover why Elsa was born with magical powers. It’s a surprisingly dark adventure that, despite beautiful set pieces, is generic. The plot is confusing yet somehow predictable, and everything is Disney-fied and wrapped up with a nice little bow by the final credits.

Most disappointing are the bland songs (by Robert Lopez and Kristen Anderson-Lopez). There isn’t one number that stands out. It’s a particularly huge letdown after the timeless toe-tappers of “Frozen.”

The movie feels like it’s made more for adults than kids, and there are some scary moments (like Olaf wandering through a deep, dark forest and flashbacks to the death of Anna and Elsa’s parents) that may frighten a few children. The idea of an action-adventure animated film with two strong female leads is commendable, but the potential to be something special instead of merely adequate is frittered away.

While the magic doesn’t reach the highs of the first film, “Frozen II” is beautifully animated and visually impressive enough to recommend only to those who love animation as an art form. Everyone else would be smart to skip it.
Exactly what one can expect from a Disney princess movie.
Away from the 'Toy Story' franchise - Disney's greatest sequel to date? I believe so.

'Frozen II' is quality. I'd argue 'Frozen' is the better film, but this 2019 production is terrific. It isn't as funny (though still has its moments) as it is a more darker, deeper story. Considering this premise only really exists in this film, it is impressive how well it comes out and pays off. The score is improved, though the musical numbers aren't quite as memorable as 2013's.

All the cast reprise their original roles and are again very good; props to Idina Menzel (Elsa) and Kristen Bell (Anna). Josh Gad remains very amusing as Olaf, there's one recap scene in particular that stands out.

Entertaining, once more. No complaints from me.

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Title : Abigail
Abigail genre : Adventure, Fantasy, Mystery
Abigail crew : Alexandr Boguslavsky, Alexandr Boguslavsky, Tatyana Patrakhaltseva, Viktor Denisyuk, Evgeniy Melentev, Yury Nikogosov, Andrey Anaykin, Natalya Frolova, Vladislav Ogay, Alexandr Kurinsky
Abigail release date : 28 July 19 9 2
Abigail runtime : 110 Minutes
Abigail Crew : Alexandr Boguslavsky, Alexandr Boguslavsky, Tatyana Patrakhaltseva, Viktor Denisyuk, Evgeniy Melentev, Yury Nikogosov, Andrey Anaykin, Natalya Frolova, Vladislav Ogay, Alexandr Kurinsky
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